Third film adaptation of Albert Camus’ classic novel

Mother died today. Or maybe it was yesterday. I don’t know.” With these chilling words, which open Albert Camus’ epochal 1942 novel L’Etranger, Camus enunciated a new style of writing, one that indexed the disaffected soul of his anti-hero Meursault, a man who can’t feel emotions the way the rest of us do. Meursault is…