The Image You Missed (PG) The idea was good: dovetail the idea of a fractured fraternal relationship with a fractured country. Unfortunately, this Donal Foreman feature, which tenuously examines his relationship with his father, the late American documentarian Arthur MacCaig, against the backdrop of the Troubles, is far too skimpy and staccato to justify the tantalising potential of…
L’Apparition Vincent Lindon is one of my favourite French actors. He’s always reminded me of Miley from Glenroe. In a country where we expect to find more clean-cut heroes, he has more the look of a character actor than a leading man with his lived-in face. You feel he’s been out digging fields all…
The Secret of Marrowbone (15A) There’s a scene in this where a girl puts her hand into a hole in the ceiling with a morsel of food to feed a skunk that’s living in her attic. When she does so, a human hand fondles her. I don’t know about you, but if that happened to me I’d be…
Kissing Candice (18) Midway through this psychedelic odyssey – the hell that is modern Ireland – I found myself thinking how much Ann Skelly, its main star, resembled Lady Lavery. And how, if Lady Lavery was the iconic image of a more halcyon time, Skelly could go on to become the face of the not so…
The Happy Prince (15A) Rupert Everett has been fascinated by Oscar Wilde for most of his life. He’s acted in many of his plays on Broadway and played his alter ego in films like The Importance of Being Ernest and An Ideal Husband. He also played Wilde himself in David Hare’s The Judas Kiss on the West…
Edie (12A) “Too late for chips?” the 83-year-old Edie (Sheila Hancock) asks her cook in a fast food restaurant. “Never too late for you, Edie,” he replies in what becomes a lightbulb moment for her. This is a sweet little film about a self-professed ‘geriatric’ trying to roll back the years. It’s “never too late”…
Citizen Lane (G) Such was the esteem in which art dealer Hugh Lane was held, if he even looked at a painting in a gallery, its value escalated. He lived in a period of literary rather than artistic ferment in Ireland. There were more people like W.B. Yeats than his brother Jack. “I’m going to revive…
I Feel Pretty (12A) Namechecking the endearing Natalie Wood tune from West Side Story in its title, this comes to us with the oldest message in movies: it’s the inner person that counts in matters of the heart rather than the outer one. Renee Bennett (Amy Schumer) is a kooky IT worker who’s a bit on the…
The Cured (15A) If we draw a line from, say, King Kong to The Elephant Man, we can see a pattern. The mistreated ‘beasts’ become the victims of corporate forces trying to wipe them out. In such cases our sympathies lie foursquare behind such pariahs. The problem with The Cured, which focuses on a group of…
Michael Inside (15A) Prisons are places where small criminals become big ones. Such a transmogrification is demonstrated in graphic fashion in this tale of a meek 18-year-old from a North Dublin housing estate who’s given a two month sentence after being found with a stash of cocaine worth €2,000. Michael McCrea (Dafhyd Flynn) is a carrier…
Aubrey Malone