Confessional reform of abrasive talk show hostess

Late
 Night
 (15A) I’ve often wondered when they’d get around to doing a millennial version of Sidney Lumet’s Network. Here it’s crossed with The Devil Wears Prada. It’s the story of how Katie Hopkins becomes Ellen DeGeneres, how Margaret Thatcher becomes Theresa May. Emma Thompson is misogynistic chat show hostess Katherine Newbury, a televisual dinosaur.…

Can music’s charms soothe a savage breast?

Bel
 Canto
 (15A)   Julianne Moore may not be Maria Callas in the singing department but she’s no slouch as an actress. In this ambitious adaptation of Ann Patchett’s acclaimed novel of the same name she plays soprano Roxane Coss. She’s interrupted in the middle of a private concert she’s giving to international dignitaries in a palace…

When emotion boils over into a desperate act

The
 Limit
 Of
 (15A)   It’s often said that modern bank robbers don’t go into buildings with their guns blazing anymore. No, they stand behind the counter in sharp suits clicking keys. In other words, they’re the banks themselves. We all know how badly they behaved when they were throwing 100% mortgages at people during Ireland’s boom years.…

Anguished final years of a post-impressionist artist

At
 Eternity’s
 Gate
 (12A)   Hollywood has never really understood artists. Kirk Douglas won an Oscar nomination for essaying the role of Vincent van Gogh in Vincente Minnelli’s Lust for Life  in 1956 but his performance was way over the top. Jacques Dutronc presented him in a much more nuanced manner in Maurice Pialat’s Van Gogh in 1991.…