Category: Reviews

Seeing the healing power of the arts

With so much emphasis on razzamatazz in the media, with so much having to be big, loud, brash, and celebrity focused, it’s great to see something low-key and dignified. The Centenary Commemoration of the Civil War (RTÉ One, Sunday) certainly fitted that description. The ceremony was short, with no speeches – the centre-piece was the…

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Recent books in brief

A New Ireland: Memories and Reflections of Cardinal Cahal B. Daly edited by Gemma Loughran, foreword by Archbishop Paul Gallagher (Veritas, €12.99 / £11.50) This little book was edited by Northern Ireland barrister Gemma Loughlan, who knew Cahal Daly from her days as a student. To mark the anniversary of the Good Friday Agreement she…

Mozart turns his hand to comedy with great effect

Following Gluck’s death in November 1787, Emperor Joseph II appointed Mozart as imperial and royal court composer. Among his formal duties the composer was expected to provide music for court balls and other such state occasions and, to fit the bill, Mozart supplied over 30 minuets and German dances in a relatively short time. However,…

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The challenge of pacificism

Frank Litton   War By Other Means: The Pacifists of the Greatest Generation Who Revolutionised Resistance, by Daniel Akst (Brooklyn / London: Melville House, $28.99 / £22.94 / €28.00)   Paul Ricoeur, the French philosopher, observed that the state can be – has been – a source of great evil. Writing in the aftermath of…

National Gallery exhibition reveals the varied brilliance of Europe’s first female artist

Lavinia Fontana: Trailblazer, Rule Breaker, by Aoife Brady, with essays by Babette Bohn and Jonquil O’Reilly (National Gallery of Ireland, distributed by Yale University Press, €40.00 / £35.00) Exhibition: May 6-August 27; Rooms 6-10, Beit Wing | Ticketed, check opening hours online.   Lavinia Fontana (1552 – 1614) was a remarkable artist of great achievement,…

When trad music meets Gospel

I’m uneasy about repurposed churches – sad that worship no longer goes on there, what is left being like an empty shell. If its new purpose is something artistic it takes away some of the sting. The Sea Church, with Jesus prominent in its stained-glass window, is the venue for the Ballycotton Sessions (RTÉ Two,…

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A finely textured work turns tawdry

In The Laureate (15A), moody British poet Robert Graves (Tom Hughes) is experiencing writer’s block brought on by shellshock after being at the front in World War I. He invites aspiring American poetess Laura Riding (Dianna Agron) to live with him and his wife Nancy (Laura Haddock), an artist, in his country cottage (called, perhaps…

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