The Wife (15A) Glenn Close has been labouring away in the Hollywood vineyard for many moons now without too much to show for it. She’s been a bridesmaid at the annual Oscar ceremonies so often, ‘Close’ isn’t just her surname – it’s more like a career description. Some poor editorial decisions haven’t helped. In Fatal Attraction,…
Indestructible vigilante hero in famine-ravaged Ireland
Black 47 (15A) Rambo meets Fionn Mac Cumhaill in this mesmerising drama from Lance Daly. I don’t think we’ve ever had a Celtic action hero before unless we count Braveheart. There’s an almost super-human one in this highly unusual film. It starts out as a kind of post-colonial history lesson about the horrors of the famine…
Embracing life against the backdrop of religious constraints
The Children Act (12A) The penultimate scene of this moving (if occasionally sugar-coated) study of lives lived to the full, lives thrown away and those gone stale, is heavily reminiscent of the last one in John Huston’s magisterial The Dead. In that film, Gabriel Conroy (Donal McCann) has to listen to his wife Gretta (Anjelica Huston) telling him…
If the future has a name, perhaps it’s Francis
Pope Francis: A Man of his Word (PG) St Francis of Assisi travelled to the Holy Land 800 years ago to try and end a war. Today his successor is continuing that journey. Pope Francis – ‘Papa Francesco!’ to the crowds who swarm around him in his native Argentina – has made it his mission to continue the work of his…
Missed opportunity in a case of déjà vu all over again
The Image You Missed (PG) The idea was good: dovetail the idea of a fractured fraternal relationship with a fractured country. Unfortunately, this Donal Foreman feature, which tenuously examines his relationship with his father, the late American documentarian Arthur MacCaig, against the backdrop of the Troubles, is far too skimpy and staccato to justify the tantalising potential of…
A religious movie with the pulse of a thriller
L’Apparition Vincent Lindon is one of my favourite French actors. He’s always reminded me of Miley from Glenroe. In a country where we expect to find more clean-cut heroes, he has more the look of a character actor than a leading man with his lived-in face. You feel he’s been out digging fields all…
House of horrors in rural America in 1969
The Secret of Marrowbone (15A) There’s a scene in this where a girl puts her hand into a hole in the ceiling with a morsel of food to feed a skunk that’s living in her attic. When she does so, a human hand fondles her. I don’t know about you, but if that happened to me I’d be…
Graphic porthole into an Ireland of venal excess
Kissing Candice (18) Midway through this psychedelic odyssey – the hell that is modern Ireland – I found myself thinking how much Ann Skelly, its main star, resembled Lady Lavery. And how, if Lady Lavery was the iconic image of a more halcyon time, Skelly could go on to become the face of the not so…
The importance of being Oscar for Everett
The Happy Prince (15A) Rupert Everett has been fascinated by Oscar Wilde for most of his life. He’s acted in many of his plays on Broadway and played his alter ego in films like The Importance of Being Ernest and An Ideal Husband. He also played Wilde himself in David Hare’s The Judas Kiss on the West…
Ode to rejuvenation in the Scottish Highlands
Edie (12A) “Too late for chips?” the 83-year-old Edie (Sheila Hancock) asks her cook in a fast food restaurant. “Never too late for you, Edie,” he replies in what becomes a lightbulb moment for her. This is a sweet little film about a self-professed ‘geriatric’ trying to roll back the years. It’s “never too late”…

Aubrey Malone








