Jeffrey Manchester (Channing Tatum) is the charming villain at the heart of Roofman (R). In real life, Manchester robbed 45 McDonalds restaurants between 1998 and 2000. That’s what I said: 45. He was caught and imprisoned in 2000 but escaped four years later, taking on the identity of a government agent called John Zorn. He…
Category: Film
Upbeat film throws light on neglected disability
John Davidson (Robert Aramayo) doesn’t only swear in I Swear (12A). He also spits, twitches, hits people, breaks things and spouts racist and sexist slogans. And yet he’s one of the gentlest people you could meet. What’s going on? It’s Tourette’s Syndrome, a condition people were almost totally ignorant about when John first started experiencing…
Homeless London man tries to break the cycle of addiction
In Urchin (15), which is showing at the Irish Film Institute this week, we’re presented with a homeless young man, Mike (Frank Dillane), struggling with problems of drink, drugs and a general attitude of arrogance. He doesn’t seem to understand either himself or his life, lurching from one situation to another. When they turn against…
Supermom goes gangbusters in Minnesota wilderness
Widowed fisherwoman Barb (Emma Thompson) is driving through northern Minnesota when she spots a kidnapped teenage girl. She loses her phone signal. Then her truck gives up. She’s 66 years old but she’s determined to rescue the girl. In between efforts to do that she harks back to her own youth, to times she spent…
Fluctuating fortunes of forties females in film
In 1943 in The Song of Bernadette, Jennifer Jones played Bernadette Soubirous, a 14-year-old peasant who claimed to have had a vision of Our Lady in the French village of Lourdes. Charles Bickford was Fr Peyramale, representing the Church’s initial discounting of her claim before the worldwide attention conferred on her resulted in a change…
Selling one’s soul with style: a satan with a British accent
Last week I wrote about The Keys of the Kingdom. Another 1944 film, The Picture of Dorian Gray, explores the other pole of the heaven/hell divide. Telling the story of a man who sells his soul to the devil, it has a moodily atmospheric feel to it. German expressionism meets drawing-room comedy in an excellent…
Varying versions of the Kingdom of God
I recently wrote about the clergy in 1940s films. Gregory Peck played a liberal Scottish priest in Keys of the Kingdom in 1944. The film was based on A.J. Cronin’s 1941 novel centering on the efforts of one Fr Francis Chisholm (Peck) to open people’s eyes to the wider message of the Gospels in China.…
Gripping rite of passage parable from novice director
Christy (15A) is an unflinching portrait of a 17-year-old reject from the foster care system struggling to get some stability into his life in a working-class district of North Cork. It oozes authenticity from every pore. You won’t catch anyone acting here. Christy (Daniel Power) is staying with his estranged half brother Shane (Diarmuid Noyes),…
Abuse and trauma in the bleak Groves of Academe
The sexual assault at the centre of Sorry, Baby (15A) is transmitted to us effectively. We see the outside of a house with steps leading up to it in late evening. The bottom floor is lit. We then segue to the house sometime later. The same lights are on but evening has now turned into…
Censors’ power weakens with onset of the 1950s
As I indicated last week, producers started taking liberties with the Legion of Decency and the Production Code in the fifties. In 1951 Roberto Rossellini directed The Miracle, a film in which the character of Mary Magdalene is aligned with the Virgin Mary. The Vatican condemned it for profanity. So did the Legion. Cardinal Spellman,…
Aubrey Malone








